It is highly likely to cement Volbeat’s position on the “upper mid card” (to use wrestling terminology) of hard rock bands and may well be another rung up the ladder to festival headline status in the UK (as they’ve already reached that level in Europe). Overall, Seal The Deal & Lets Boogie is highly recommend. Marie Laveau and For Evigt both feel like they were both recorded in the sessions for last album Outlaw Gentlemen and Shady Ladies and as a result have something of a “throwaway” feel about them. The only downside to Seal The Deal is that occasionally the tracks can get a little samey and blur together or feel very similar to past material. Their cover of Battleship Chains is also most deserving of attention, being no stranger to successful covers (I Only Wanna Be With You anybody?). The higher pace really suits the Volbeat sound and, coupled with a chorus that could fill a warehouse never mind an arena, is one of the best songs released this year so far by any band. Seal The Deal (the song) is probably the strongest song on the album with an intro that most thrash metal bands would be proud of before giving way to one of the fastest Volbeat songs to date. Mary Jane Kelly is another track that’ll get an audience moving and could turn into a huge live favourite, as could the album’s title track. Black Rose is another highlight that features Michael Poulsen’s vocals at their best and another fantastic solo from former Anthrax man Rob Caggiano (whose positive influence on the album can be felt notably in various places). Opener The Devil’s Bleeding Crown ticks all the boxes for a great beginning to the album A beat will get the listener moving before they know it, a couple of riffs that catch the listener’s ear instantly and a ripping solo. Their latest album, Seal The Deal & Lets Boogie, doesn’t deviate too far from their established winning formula, but still manages to feel fresh and vibrant for the most part throughout. Volbeat are much loved the world over for their eclectic mix of good time rock n’roll, heavy metal and the odd dash of rockabilly all thrown together to create their wonderfully unique sound. Overall Score: 7.5/10 Originality: 6/10 Riffs: 8/10 Repeat Listen Value: 8/10 Pros: Rob Caggiano's solo's | Some great individual songs | album flows well Cons: Some songs feel like b-sides from previous albums i used to hate synth music in the early eighties, i was all about guitar and rock, but exposure over time and finding things i liked with those kind of sounds it became more acceptable to my ears.
so far as musical style goes i think some things need a couple of listens to reach you.
Tom waits - blue valetines, swordfishtrombones sometimes i'm in a blues mode, a jazz mode, a prog rock mode, a country/folk mode, a classical mode. sometimes old school metal, i'm not really into the gargling mud vocals of a lot of modern metal. sometimes i listen to straight rock music.
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